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Condition: Brand New Ships from: Melbourne
Harmony in Ultraviolet is Tim Hecker's sixth album. It is a continuation of Hecke's interest in spectral communications, noise, impressionist musics, thresholds of listeningpleasure / pain, and the limits of digital composition. This album is a significant development of his song-craft, challenging the usefulness of descriptors such as ambient, drone, metal, noise and even electronic music. If referencesare necessary it could be described as a sonata for the elements, songs of crackling embers, tidal pools, spruce skylines and autumn winds. Gerhard Richter's abstract paintings are also a fair orientation. Materially speaking, it is arecord of whirring drones, whispering fissures, dense disintegrating chords, latenight noise and truth-telling harmonics. Yet this record follows no overarching
Condition: Brand New Ships from: Melbourne
Harmony in Ultraviolet is Tim Hecker’s sixth album. It is a continuation of Hecke’s interest in spectral communications, noise, impressionist musics, thresholds of listeningpleasure / pain, and the limits of digital composition. This album is a significant development of his song-craft, challenging the usefulness of descriptors such as ambient, drone, metal, noise and even electronic music. If referencesare necessary it could be described as a sonata for the elements, songs of crackling embers, tidal pools, spruce skylines and autumn winds. Gerhard Richter’s abstract paintings are also a fair orientation. Materially speaking, it is arecord of whirring drones, whispering fissures, dense disintegrating chords, latenight noise and truth-telling harmonics. Yet this record follows no overarching
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