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Released 4th September 2026
Before Brian Eno did it, Mort Garson was making discreet music. Julliard-educated and active as a session player in the post-war era, Garson wrote lounge hits, scored the 1969 moon-landing and plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell's By the Time I Get to Phoenix. Now, 50 years after its original release, Mother Earth' Plantasia marks a major anniversary moment. Half a century on, it continues to resonate - an enduring reminder of Mort Garson's ability to make the synthetic feel strangely alive and the whimsical feel oddly profound.
In the mid-1970s, a force of nature swept across the continental United States, cutting across all strata of race and class, rooting in our minds, our homes, our culture. It wasnt The Exorcist, Goodbye Yellow Brick Road, or even bell-bottoms, but instead a book called The Secret Life of Plants.
The work of occultist/fo
Released 4th September 2026
Before Brian Eno did it, Mort Garson was making discreet music. Julliard-educated and active as a session player in the post-war era, Garson wrote lounge hits, scored the 1969 moon-landing and plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell’s By the Time I Get to Phoenix. Now, 50 years after its original release, Mother Earth’ Plantasia marks a major anniversary moment. Half a century on, it continues to resonate – an enduring reminder of Mort Garson’s ability to make the synthetic feel strangely alive and the whimsical feel oddly profound.
In the mid-1970s, a force of nature swept across the continental United States, cutting across all strata of race and class, rooting in our minds, our homes, our culture. It wasnt The Exorcist, Goodbye Yellow Brick Road, or even bell-bottoms, but instead a book called The Secret Life of Plants.
The work of occultist/fo
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