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The fifth studio album by the American punk band. Features the singles 'Burning Down the House' and 'This Must Be the Place (Nave Melody)'.
Track Listing:
1. Burning Down the House - Talking Heads (4.01)
2. Making Flippy Floppy - Talking Heads (4.34)
3. Girlfriend Is Better - Talking Heads (4.22)
4. Slippery People - Talking Heads (3.31)
5. I Get Wild/Wild Gravity - Talking Heads (4.07)
6. Swamp - Talking Heads (5.12)
7. Moon Rocks - Talking Heads (5.03)
8. Pull Up the Roots - Talking Heads (5.08)
9. This Must Be the Place (Nave Melody) - Talking Heads (4.53)
Year of Production: 1983
The fifth studio album by the American punk band. Features the singles ‘Burning Down the House’ and ‘This Must Be the Place (Nave Melody)’.
Track Listing:
1. Burning Down the House – Talking Heads (4.01)
2. Making Flippy Floppy – Talking Heads (4.34)
3. Girlfriend Is Better – Talking Heads (4.22)
4. Slippery People – Talking Heads (3.31)
5. I Get Wild/Wild Gravity – Talking Heads (4.07)
6. Swamp – Talking Heads (5.12)
7. Moon Rocks – Talking Heads (5.03)
8. Pull Up the Roots – Talking Heads (5.08)
9. This Must Be the Place (Nave Melody) – Talking Heads (4.53)
Year of Production: 1983
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The Heads releasedSpeaking in Tongues, the first album of new material in three years, in 1983. (A limited edition release of 50,000 copies featured a complex cover designed by artist Robert Rauschenberg. Subsequent copies boasted a simpler design by Byrne.) It was their highest-charting album ever (Number 15, 1983) and yielded their biggest hit single, "Burning Down the House" (Number Nine, 1983), which was also featured in an eye-catching video that MTV had in heavy rotation. They toured with an expanded band including Alex Weir, a guitarist with the Brothers Johnson. The tour was documented in the acclaimed movie Stop Making Sense, directed by Jonathan Demme. The soundtrack (Number 41, 1984) spent nearly two years on the pop albums chart.
The Heads releasedSpeaking in Tongues, the first album of new material in three years, in 1983. (A limited edition release of 50,000 copies featured a complex cover designed by artist Robert Rauschenberg. Subsequent copies boasted a simpler design by Byrne.) It was their highest-charting album ever (Number 15, 1983) and yielded their biggest hit single, “Burning Down the House” (Number Nine, 1983), which was also featured in an eye-catching video that MTV had in heavy rotation. They toured with an expanded band including Alex Weir, a guitarist with the Brothers Johnson. The tour was documented in the acclaimed movie Stop Making Sense, directed by Jonathan Demme. The soundtrack (Number 41, 1984) spent nearly two years on the pop albums chart.
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Condition: Brand New Ships from: Melbourne
- Description
- Release details
- Tracklist
-
Speaking in Tongues, released in June 1983, marks Talking Heads shift toward a more dance-friendly, groove-oriented sound after their collaboration with Brian Eno. Departing from denser experimental textures, the band embraced propulsive rhythms, funk bass lines, and tighter song structures, fueled by contributions from new collaborators such as Bernie Worrell and Alex Weir. The recording process followed a hiatus during which members pursued side projects, giving them space to recombine influences and ideas. Its polished, rhythmic aesthetic represented a conscious rebalancingone foot in art rock, the other firmly in pop and dance music.
Burning Down the House became their only U.S. Top-Ten hit, while This Must Be the Place (Naive Melody) emerged as a deep fan favorite for its
Condition: Brand New Ships from: Melbourne
- Description
- Release details
- Tracklist
-
Speaking in Tongues, released in June 1983, marks Talking Heads shift toward a more dance-friendly, groove-oriented sound after their collaboration with Brian Eno. Departing from denser experimental textures, the band embraced propulsive rhythms, funk bass lines, and tighter song structures, fueled by contributions from new collaborators such as Bernie Worrell and Alex Weir. The recording process followed a hiatus during which members pursued side projects, giving them space to recombine influences and ideas. Its polished, rhythmic aesthetic represented a conscious rebalancingone foot in art rock, the other firmly in pop and dance music.
Burning Down the House became their only U.S. Top-Ten hit, while This Must Be the Place (Naive Melody) emerged as a deep fan favorite for its
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