With the repressing of "Loop-Finding-Jazz-Records" as a double LP, a milestone of German minimal electronics is available again 16 years after its first release. The style-defining album was released in 2001 on the wonderful Berlin label Scape, where it fit in like a glove between the crackling, reverberating and frickle sounds of a Pole, Kit Clayton and Burnt Friedman. Of course, the whole thing had nothing to do with jazz, but rather with clicks & cuts and glitching microsounds, which were very popular at the time. The scene magazine "Groove" included "Loop-Finding-Jazz-Records" in its list of the best 50 electronic albums in 2013. Colleague Tobias Thomas from Kompakt wrote in his laudation: "His clicks and cuts were like sparkling fragments that had been extracted from a large diamond. Enveloped in digital stardust, yet ne
With the repressing of “Loop-Finding-Jazz-Records” as a double LP, a milestone of German minimal electronics is available again 16 years after its first release. The style-defining album was released in 2001 on the wonderful Berlin label Scape, where it fit in like a glove between the crackling, reverberating and frickle sounds of a Pole, Kit Clayton and Burnt Friedman. Of course, the whole thing had nothing to do with jazz, but rather with clicks & cuts and glitching microsounds, which were very popular at the time. The scene magazine “Groove” included “Loop-Finding-Jazz-Records” in its list of the best 50 electronic albums in 2013. Colleague Tobias Thomas from Kompakt wrote in his laudation: “His clicks and cuts were like sparkling fragments that had been extracted from a large diamond. Enveloped in digital stardust, yet ne
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