Khatia Buniatishvili's new recording for Sony Classical is as imaginative, sensitive and philosophical as the multi-award-winning pianist herself. The concept album "Labyrinth" explores the immeasurable quest that is human life. Like a film, it traces a development: Procrastination, melancholy, sensuality, joy and suffering - all from the perspective of a woman enlightened by self-reflection and wisdom. Recorded in the Grande Salle Pierre Boulez at the Philharmonie de Paris, it creates its own almost unreal space by using the richly pictorial tonal language of composers from Scarlatti to Morricone, from Bach to Glass. The labyrinth, says the French-Georgian pianist, is fate and creation, impasse and redemption - a polyphony of life, of the senses, of reminiscent dreams, of the neglected present; unexpected or expected turns o
Khatia Buniatishvili’s new recording for Sony Classical is as imaginative, sensitive and philosophical as the multi-award-winning pianist herself. The concept album “Labyrinth” explores the immeasurable quest that is human life. Like a film, it traces a development: Procrastination, melancholy, sensuality, joy and suffering – all from the perspective of a woman enlightened by self-reflection and wisdom. Recorded in the Grande Salle Pierre Boulez at the Philharmonie de Paris, it creates its own almost unreal space by using the richly pictorial tonal language of composers from Scarlatti to Morricone, from Bach to Glass. The labyrinth, says the French-Georgian pianist, is fate and creation, impasse and redemption – a polyphony of life, of the senses, of reminiscent dreams, of the neglected present; unexpected or expected turns o
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