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The diary and essays of Brian Eno republished twenty-five years on with a new introduction by the artist in a beautiful hardback edition.
'One of the seminal books about music...an invaluable insight into the mind and working practices of one of the industry's undeniable geniuses.' GUARDIAN
At the end of 1994, Brian Eno resolved to keep a diary. His plans to go to the cinema, theatre and galleries fell quickly to the wayside.What he did do - and write - however, was astonishing: ruminations on his collaborative work with David Bowie, U2, James and Jah Wobble, interspersed with correspondence and essays dating back to 1978. These 'appendices' covered topics from the generative and ambient music Eno pioneered to what he believed the role of an artist and their art to be, alongside adroit commentary on quotidian tribula
The diary and essays of Brian Eno republished twenty-five years on with a new introduction by the artist in a beautiful hardback edition.
‘One of the seminal books about music…an invaluable insight into the mind and working practices of one of the industry’s undeniable geniuses.’ GUARDIAN
At the end of 1994, Brian Eno resolved to keep a diary. His plans to go to the cinema, theatre and galleries fell quickly to the wayside.What he did do – and write – however, was astonishing: ruminations on his collaborative work with David Bowie, U2, James and Jah Wobble, interspersed with correspondence and essays dating back to 1978. These ‘appendices’ covered topics from the generative and ambient music Eno pioneered to what he believed the role of an artist and their art to be, alongside adroit commentary on quotidian tribula
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