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Released 8th August 2025
"The hand knows best, the painter Margaux Williamson says. A shape produces itself, where I go toward what is intuitive, rather than logical. The shapely, intuitive songs that comprise Ada Lea's third album, when i paint my masterpiece, are surprising, imagistic, tactile. They stand before us and we feel their brushstrokes. Alexandra Levy holds her guitar against the backdrop of a sea of her paintings on the album cover and its tempting to ask: is painting a metaphor here, for music or life? No! As ever, she resists tidy metaphors. Shes a master of this kind of thorny lowercase title that germinates and grows with time. In a real, profound way, music and painting go hand-in-hand as she unveils a new style of subversion and surrealism inspired by her transdisciplinarity.
Levy is a Renaissance woman, and Ada Leas albums have been swelling in scope alongside the evolution of her artistic life. Her recent turn
Released 8th August 2025
“The hand knows best, the painter Margaux Williamson says. A shape produces itself, where I go toward what is intuitive, rather than logical. The shapely, intuitive songs that comprise Ada Lea’s third album, when i paint my masterpiece, are surprising, imagistic, tactile. They stand before us and we feel their brushstrokes. Alexandra Levy holds her guitar against the backdrop of a sea of her paintings on the album cover and its tempting to ask: is painting a metaphor here, for music or life? No! As ever, she resists tidy metaphors. Shes a master of this kind of thorny lowercase title that germinates and grows with time. In a real, profound way, music and painting go hand-in-hand as she unveils a new style of subversion and surrealism inspired by her transdisciplinarity.
Levy is a Renaissance woman, and Ada Leas albums have been swelling in scope alongside the evolution of her artistic life. Her recent turn
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