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Condition: Brand New Ships from: Melbourne
After several sessions with Columbia and Candid, Charles Mingus briefly returned to Atlantic and cut the freewheeling Oh Yeah, which AllMusic says has to rank as the wildest of all his classic albums. Mingus displays all of his vigorous jazz feeling on this album; he plays no bass whatsoever, hiring Doug Watkins to fill in while he accompanies the group on piano and contributes bluesy vocals to several tracks (while shouting encouragement on nearly all of them).
One of the really fine things about Mingus is that he always seems to keep an earthy touch no matter how wild the harmonies get, and that genius comes across with power here. Some of the colorful titles are "Devil Woman," "Eat That Chicken," and "Hog Callin' Blues."
Mingus' vocal selections radiate
Condition: Brand New Ships from: Melbourne
After several sessions with Columbia and Candid, Charles Mingus briefly returned to Atlantic and cut the freewheeling Oh Yeah, which AllMusic says has to rank as the wildest of all his classic albums. Mingus displays all of his vigorous jazz feeling on this album; he plays no bass whatsoever, hiring Doug Watkins to fill in while he accompanies the group on piano and contributes bluesy vocals to several tracks (while shouting encouragement on nearly all of them).
One of the really fine things about Mingus is that he always seems to keep an earthy touch no matter how wild the harmonies get, and that genius comes across with power here. Some of the colorful titles are “Devil Woman,” “Eat That Chicken,” and “Hog Callin’ Blues.”
Mingus’ vocal selections radiate
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