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Its almost inconceivable that its only five years since the arrival of CMAT, as she approaches the release of her third album, EURO-COUNTRY. This BRITs / Mercury / Ivors-nominated acronymic star feels like shes been part of the culture forever - and what has endeared fans to her heart-sore tunes and humour is CMAT's ability to combine contradictory themes and moods: wide-eye drama with self-deprecation. Country music has always been a lynchpin for CMAT, but this is country in an augmented, reimagined way. Mixed with classic indie and affirmative soul-pop, it resists the music industrys desire to pigeonhole artists as one genre. Not only is there a palpable tonal shift, EURO-COUNTRY also feels like a huge step-up creatively. There is a sense of determination, of urgency, of gather round and listen up. From re-evaluating where you come from (geographically, metaphorically) and the impact of economics on a small country, to the attention that comes with
Its almost inconceivable that its only five years since the arrival of CMAT, as she approaches the release of her third album, EURO-COUNTRY. This BRITs / Mercury / Ivors-nominated acronymic star feels like shes been part of the culture forever – and what has endeared fans to her heart-sore tunes and humour is CMAT’s ability to combine contradictory themes and moods: wide-eye drama with self-deprecation. Country music has always been a lynchpin for CMAT, but this is country in an augmented, reimagined way. Mixed with classic indie and affirmative soul-pop, it resists the music industrys desire to pigeonhole artists as one genre. Not only is there a palpable tonal shift, EURO-COUNTRY also feels like a huge step-up creatively. There is a sense of determination, of urgency, of gather round and listen up. From re-evaluating where you come from (geographically, metaphorically) and the impact of economics on a small country, to the attention that comes with
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