Brazilian percussionist Nan Vasconcelos's Saudades album, recorded in March 1979, was the culmination of a dream for a musician who had long yearned to hear the percussion instrument the berimbau in an orchestral context. This "concerto" for an innovative player of a traditional instrument was made possible with the creative input of Egberto Gismonti, here the arranger of the material for strings, as well as co-composer and supporting soloist.
The Radio Symphony Orchestra Stuttgart was conducted by Mladen Gutesha (who had worked with ECM previously on trans-idiomatic projects with Keith Jarrett, Jan Garbarek and Terje Rypdal). Produced by Manfred Eicher, Saudades remains an extraordinary journey, an ahead-of-its-time album, waiting for the world to catch up. This

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Brazilian percussionist Nan Vasconcelos’s Saudades album, recorded in March 1979, was the culmination of a dream for a musician who had long yearned to hear the percussion instrument the berimbau in an orchestral context. This “concerto” for an innovative player of a traditional instrument was made possible with the creative input of Egberto Gismonti, here the arranger of the material for strings, as well as co-composer and supporting soloist.

The Radio Symphony Orchestra Stuttgart was conducted by Mladen Gutesha (who had worked with ECM previously on trans-idiomatic projects with Keith Jarrett, Jan Garbarek and Terje Rypdal). Produced by Manfred Eicher, Saudades remains an extraordinary journey, an ahead-of-its-time album, waiting for the world to catch up. This

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