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Released 19th September 2025
Synthpop, minimal wave, post-punk, goth, new romantic fans and critics alike have dug deeply into their vintage thesauruses to describe the beguiling work of Nation of Language. And if you cant precisely define the band, thats the point. Frontman Ian Richard Devaney has become prodigious in expanding what synthesizer-driven music can evoke, such that his output is as much an extrasensory journey as it is an all-too-human destination. With that experience in mind, he wrote the bands fourth album the spectral, spacious Dance Called Memory in the most humble of ways: chipping away at melancholia by sitting around and strumming his guitar.
Nation of Languages first two albums, Introduction, Presence (2020), and A Way Forward (2021), came as pandemic godsends: gorgeous, relatable soundtracks to our collective doldrums. But it was their last LP, Strange Disciple (2023), that catapulted the group from cult
Released 19th September 2025
Synthpop, minimal wave, post-punk, goth, new romantic fans and critics alike have dug deeply into their vintage thesauruses to describe the beguiling work of Nation of Language. And if you cant precisely define the band, thats the point. Frontman Ian Richard Devaney has become prodigious in expanding what synthesizer-driven music can evoke, such that his output is as much an extrasensory journey as it is an all-too-human destination. With that experience in mind, he wrote the bands fourth album the spectral, spacious Dance Called Memory in the most humble of ways: chipping away at melancholia by sitting around and strumming his guitar.
Nation of Languages first two albums, Introduction, Presence (2020), and A Way Forward (2021), came as pandemic godsends: gorgeous, relatable soundtracks to our collective doldrums. But it was their last LP, Strange Disciple (2023), that catapulted the group from cult
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