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Condition: Brand New Ships from: Melbourne
Nightclubbing (1981) is Grace Joness bold and genre-defying masterpiece, blending new wave, reggae, funk, and art-pop into a sleek, stylish whole. Produced by the Compass Point All Stars and helmed by Chris Blackwell and Alex Sadkin, the album captures Jones at her creative peak cool, commanding, and utterly original. Her versions of Pull Up to the Bumper, Demolition Man, and Use Me exude effortless confidence, while Ive Seen That Face Before (Libertango) and Nightclubbing reveal her gift for reinvention and mood. Every track is a perfect balance of groove, attitude, and atmosphere. Beyond its sonic brilliance, Nightclubbing stands as a statement of identity and control a record that redefined what pop could be through the lens of art, fashion, and androgyny. Its minimalist production, anc
Condition: Brand New Ships from: Melbourne
Nightclubbing (1981) is Grace Joness bold and genre-defying masterpiece, blending new wave, reggae, funk, and art-pop into a sleek, stylish whole. Produced by the Compass Point All Stars and helmed by Chris Blackwell and Alex Sadkin, the album captures Jones at her creative peak cool, commanding, and utterly original. Her versions of Pull Up to the Bumper, Demolition Man, and Use Me exude effortless confidence, while Ive Seen That Face Before (Libertango) and Nightclubbing reveal her gift for reinvention and mood. Every track is a perfect balance of groove, attitude, and atmosphere. Beyond its sonic brilliance, Nightclubbing stands as a statement of identity and control a record that redefined what pop could be through the lens of art, fashion, and androgyny. Its minimalist production, anc
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