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Condition: Brand New
Issued in April 1970 a full 13 months before Marvin Gaye's What's Going On Is It Because I'm Black can rightly be called the first black concept album, a distinction few give it credit for. But that factoid, whatever its meaning then or now, failed to inspire music buyers: Johnson's record never got a whiff of the two million copies Gaye's did in its first year of availability.
Syl lays the blame squarely on the record's lack of marketability to a white audience: "That was a college record. Black college kids. They're political. But these kind of records tend to hurt you a bit. You've got white people, and then you've got white liberals. But you've got white people who care nothing about you talking about being black. They say Why shouldn't I sing "Is It Because I'm White"?' They just don't care for it. Not that they hate it, but they're no
Condition: Brand New
Issued in April 1970 a full 13 months before Marvin Gaye’s What’s Going On Is It Because I’m Black can rightly be called the first black concept album, a distinction few give it credit for. But that factoid, whatever its meaning then or now, failed to inspire music buyers: Johnson’s record never got a whiff of the two million copies Gaye’s did in its first year of availability.
Syl lays the blame squarely on the record’s lack of marketability to a white audience: “That was a college record. Black college kids. They’re political. But these kind of records tend to hurt you a bit. You’ve got white people, and then you’ve got white liberals. But you’ve got white people who care nothing about you talking about being black. They say Why shouldn’t I sing “Is It Because I’m White”?’ They just don’t care for it. Not that they hate it, but they’re no
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