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Debut studio album by the legendary British punk band. Written and recorded over three weeks in February 1977 for a paltry 4,000, it would go on to reach No. 12 on the UK charts, and has been included on many retrospective rankings as one of the greatest punk albums of all time. Tracks include 'Janie Jones' and 'White Riot'.
Track Listing:
1. Janie Jones - The Clash (2.07)
2. Remote Control - The Clash (3.03)
3. I'm So Bored With the U.S.A. - The Clash (2.24)
4. White Riot - The Clash (2.04)
5. Hate & War - The Clash (2.06)
6. What's My Name - The Clash (1.41)
7. Deny - The Clash (3.06)
8. London's Burning - The Clash (2.11)
1. Career Opportunities - The Clash (1.54)
2. Cheat - The Clash (2.06)
3. Protex Blue - The Clash (1.47)
4. Police & Thieves - The Clash (6.03)
5. 48 Hours - The Clash (1.36)
6. Garageland - The Clash (3.11)
Year of Production: 1977
Debut studio album by the legendary British punk band. Written and recorded over three weeks in February 1977 for a paltry 4,000, it would go on to reach No. 12 on the UK charts, and has been included on many retrospective rankings as one of the greatest punk albums of all time. Tracks include ‘Janie Jones’ and ‘White Riot’.
Track Listing:
1. Janie Jones – The Clash (2.07)
2. Remote Control – The Clash (3.03)
3. I’m So Bored With the U.S.A. – The Clash (2.24)
4. White Riot – The Clash (2.04)
5. Hate & War – The Clash (2.06)
6. What’s My Name – The Clash (1.41)
7. Deny – The Clash (3.06)
8. London’s Burning – The Clash (2.11)
1. Career Opportunities – The Clash (1.54)
2. Cheat – The Clash (2.06)
3. Protex Blue – The Clash (1.47)
4. Police & Thieves – The Clash (6.03)
5. 48 Hours – The Clash (1.36)
6. Garageland – The Clash (3.11)
Year of Production: 1977
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Condition: Brand New Ships from: Melbourne
As punk rockers of the first hours, The Clash delivered a milestone of the genre with their debut album "The Clash" in 1977.
"I haven't got any illusions about anything," Joe Strummer said. "Having said that, I still want to try to change things." That youthful ambition bursts through the Clash's debut, a machine-gun blast of songs about unemployment ("Career Opportunities"), race ("White Riot"), the Clash themselves ("Clash City Rockers") and the sick English music industry ("[White Man] In Hammersmith Palais"). Most of the guitar was played by Mick Jones, because Strummer considered studio technique insufficiently punk. The American release was delayed two years and replaced some of the U.K. tracks with recent singles, including "Complete Control" a complaint about exactly thatCondition: Brand New Ships from: Melbourne
As punk rockers of the first hours, The Clash delivered a milestone of the genre with their debut album “The Clash” in 1977.
“I haven’t got any illusions about anything,” Joe Strummer said. “Having said that, I still want to try to change things.” That youthful ambition bursts through the Clash’s debut, a machine-gun blast of songs about unemployment (“Career Opportunities”), race (“White Riot”), the Clash themselves (“Clash City Rockers”) and the sick English music industry (“[White Man] In Hammersmith Palais”). Most of the guitar was played by Mick Jones, because Strummer considered studio technique insufficiently punk. The American release was delayed two years and replaced some of the U.K. tracks with recent singles, including “Complete Control” a complaint about exactly that
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