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The debut studio album by the English rock band, originally released in May 1979. The album found the band in their pre-hair lacquer days playing a form of primitive post-punk that was compared at the time to Wire or Joy Division.
Track Listing:
1. 10:15 Saturday Night - The Cure (3.42)
2. Accuracy - The Cure (2.17)
3. Grinding Halt - The Cure (2.49)
4. Another Day - The Cure (3.44)
5. Object - The Cure (3.03)
6. Subway Song - The Cure (2)
7. Foxy Lady - The Cure (2.29)
8. Meathook - The Cure (2.17)
9. So What - The Cure (2.37)
10. Fire in Cairo - The Cure (3.23)
11. It's Not You - The Cure (2.49)
12. Three Imaginary Boys - The Cure (3.17)
13. The Weedy Burton - The Cure (1.04)
Year of Production: 1979
The debut studio album by the English rock band, originally released in May 1979. The album found the band in their pre-hair lacquer days playing a form of primitive post-punk that was compared at the time to Wire or Joy Division.
Track Listing:
1. 10:15 Saturday Night – The Cure (3.42)
2. Accuracy – The Cure (2.17)
3. Grinding Halt – The Cure (2.49)
4. Another Day – The Cure (3.44)
5. Object – The Cure (3.03)
6. Subway Song – The Cure (2)
7. Foxy Lady – The Cure (2.29)
8. Meathook – The Cure (2.17)
9. So What – The Cure (2.37)
10. Fire in Cairo – The Cure (3.23)
11. It’s Not You – The Cure (2.49)
12. Three Imaginary Boys – The Cure (3.17)
13. The Weedy Burton – The Cure (1.04)
Year of Production: 1979
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Condition: Brand New
Three Imaginary Boys, released on 8 May 1979 via Fiction Records, introduced The Cure as a band navigating the edges of punk, new wave, and pop sensibility. At just 18- or 19-years old, Robert Smith, Michael Dempsey, and Lol Tolhurst recorded it with producer Chris Parry in London, with much of the track listing and sequencing determined by the label. The result is a lean, idiosyncratic collection of songs marked by angular guitars, off-kilter rhythms, and Smiths nascent but distinctive vocal delivery. Some of the material leans toward minimal post-punk (Grinding Halt, 10:15 Saturday Night), while other tracks show moments of melody and emotional directness, hinting at deeper currents to come.
While Smith later expressed ambivalence about the albums execution, Three Imaginary Boys has become a touchstone in The Cures canon for its raw energy
Condition: Brand New
Three Imaginary Boys, released on 8 May 1979 via Fiction Records, introduced The Cure as a band navigating the edges of punk, new wave, and pop sensibility. At just 18- or 19-years old, Robert Smith, Michael Dempsey, and Lol Tolhurst recorded it with producer Chris Parry in London, with much of the track listing and sequencing determined by the label. The result is a lean, idiosyncratic collection of songs marked by angular guitars, off-kilter rhythms, and Smiths nascent but distinctive vocal delivery. Some of the material leans toward minimal post-punk (Grinding Halt, 10:15 Saturday Night), while other tracks show moments of melody and emotional directness, hinting at deeper currents to come.
While Smith later expressed ambivalence about the albums execution, Three Imaginary Boys has become a touchstone in The Cures canon for its raw energy
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