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The sixth studio album by the American rock band. Features the singles 'Love Her Madly' and 'Riders on the Storm'.
Track Listing:
1. The Changeling - The Doors (4.21)
2. Love Her Madly - The Doors (3.2)
3. Been Down So Long - The Doors (4.41)
4. Cars Hiss By My Window - The Doors (4.12)
5. The Changeling - The Doors (7.49)
6. L'America - The Doors (4.37)
7. Hyacinth House - The Doors (3.11)
8. Crawling King Snake - The Doors (5)
9. The Wasp (Texas Radio and the Big Beat) - The Doors (4.16)
10. Riders On the Storm - The Doors (7.09)
Year of Production: 1971
The sixth studio album by the American rock band. Features the singles ‘Love Her Madly’ and ‘Riders on the Storm’.
Track Listing:
1. The Changeling – The Doors (4.21)
2. Love Her Madly – The Doors (3.2)
3. Been Down So Long – The Doors (4.41)
4. Cars Hiss By My Window – The Doors (4.12)
5. The Changeling – The Doors (7.49)
6. L’America – The Doors (4.37)
7. Hyacinth House – The Doors (3.11)
8. Crawling King Snake – The Doors (5)
9. The Wasp (Texas Radio and the Big Beat) – The Doors (4.16)
10. Riders On the Storm – The Doors (7.09)
Year of Production: 1971
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Condition: Brand New Ships from: Melbourne
L.A. Woman (1971) is The Doors final album with Jim Morrison and a triumphant return to their blues roots. Recorded in their Los Angeles rehearsal space with producer Bruce Botnick, the album captures the band at their rawest and most self-assured. Its sound is loose, electric, and unvarnished a blend of rock, blues, and psychedelia that feels both urgent and timeless. Morrisons voice, smoky and weathered, carries the grit of lived experience through songs like Love Her Madly, Riders on the Storm, and the title track, each infused with a sense of restless energy and farewell. L.A. Woman stands as both a culmination and reinvention the sound of a band rediscovering its roots while pushing into darker, more reflective territory. The interplay between Robby Kriegers guitar, Ray Manzareks orga
Condition: Brand New Ships from: Melbourne
L.A. Woman (1971) is The Doors final album with Jim Morrison and a triumphant return to their blues roots. Recorded in their Los Angeles rehearsal space with producer Bruce Botnick, the album captures the band at their rawest and most self-assured. Its sound is loose, electric, and unvarnished a blend of rock, blues, and psychedelia that feels both urgent and timeless. Morrisons voice, smoky and weathered, carries the grit of lived experience through songs like Love Her Madly, Riders on the Storm, and the title track, each infused with a sense of restless energy and farewell. L.A. Woman stands as both a culmination and reinvention the sound of a band rediscovering its roots while pushing into darker, more reflective territory. The interplay between Robby Kriegers guitar, Ray Manzareks orga
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